Regulation LIGHT
In the performing arts, lighting is in production engineering discipline along with good performances, craft stage (stage craft) and other things that are as visual support a pergelarlan.dalam developments in Indonesian performing arts production techniques have not received sufficient attention even in education kesenianpun tidakada majors who opened the specialization of production techniques.
With the increasing number of performing arts festivals in various cities the need to package the show into something exciting and different from the presentation of another group, the need for an understanding of production techniques to grow. But the growth of the performing arts are often not in line with the development of the theater. Room acoustics, lighting and arrangement pentasnya techniques often do not meet the minimum requirements for a performance.
In a situation such as that of the workers behind the stage reverse order show a significant sesuau and got donations in perkebangan pertunjukun art.
Studies conducted by the backstage workers are generally done by the actors themselves or together with the group or if lucky enough to attend workshops organized by arts institutions that have pehatiandan concern over the development of the performing arts world.
A light stylists besides the study of the text, choreography and visual art that others should know about the technical aspects of the equipment will be media expression and to understand the character of this form of stage and auditorium. Comprehension of the text can be understood by studying the history of the genre and style of the show. (Sumarjo Yacob books, Asrul Sani, Rendra, PW, NR, KA, etc.). Understanding of engineering planning stage and drawing techniques can be aided by computer control (Beamlight, Write Light, Daslight, Corel, CAD, Vector Work, WYSWYG).
Textual studies
Learning the script plays, poetry, short stories and prose. The goal is to train the sensitivity to see the lines of the text, agile construct plot and found a variety changes susasana, space, thoughts of the characters and establish dramatiknya structure.
By studying the background of the author it will be found that the vision of the writer concerned. Because the core of the arrangement of the light is built atmosfere for leaders who are turned off stage. Of course in this case the discussions with the director and other artistic workers such as stylist sets, etc is a must. The decision is the director post.
STUDY stage and AUDITORIUM
Characters from highly dependent on the auditorium stage and each stage has a very specific aura. Generally it can be divided into 3 different forms, namely:
1. Proscenium stage
Shape the stage where the audience with pentasnya separated by the orchestra pit and the audience sees from one direction only. Pentasnya given frame as the four walls of the room opened. (Puppet People, Kethoprak)
1. Arena Stage.
Shape the stage where the stage and the audience are under one roof. The audience saw performances from various sides which are generally 3 sides. The variation is very much like a horseshoe, circular (theater in the round), etc..
1. Trust
Combined with a proscenium stage theater arena. (Sasono Langen Budoyo).
Of the many variations of the stage, which palik prosceniumlah much needed support equipment to make the presenters actually become the center of attention of the audience.
TATA STUDY OF LIGHT.
The main study of the arrangement of the light is natural and all its contents. Because of the arrangement of light on stage is the imitation of what happens in the universe is. From the source cahayanyadapatlah divided into two, namely:
a. Direct Light
The light coming from the sun with all the reflections.
a. Indirect light
The light coming from the moon with all sorts of reflections.
Application of the above sources of natural lighting into the following performances:
- Key Light
The main light coming from the lamps type profile, lekolite and ellipsoidale. Character sharp glow of light that can be made very sharp and spread due to the planno convex lens that can be adjusted the distance to the light source. Usually used to expose specific areas and special use.
- Fill Light
Fill light coming from the lamps fresnell and flood. Character soft light and evenly from the center to the edge, because the light source is broken down by sperikel lens, but the light can be concentrated or dispersed by adjusting the lens with light sources. Usually used to get the atmosphere by flushing the stage with warm colors and cool.
To achieve maximum results on lighting system, the lighting should have sufficient knowledge about the grid system and electrical installation sgala safety rules.
Distribution of light becomes an important part in the planning of lighting throughout the game in order to tercahayai, so that changes in motion and facial expressions can be observed by the audience well. See position on the stage, the lighting can be divided into:
- Front Light
The light coming from the front of the stage that aims to make the face can be seen from the audience. Light source and the object distance is quite far then required profile, lekollite, ellipsoidale that light can be controlled, because by using the dash light shutter proscenium wall can be removed
- Over Head
The light comes from overhead expose players to the goal from the top of the stage area. Areas for players to drop straight over head light player (downlight) although the risk of being more easily broken bulb by heat is not channeled due to the position. Because the distance is not too far away, type Fresnell and Plano Convex (PC) is an option. However, due to economic considerations PAR CAN be an alternative medium.
Down Light
Areas for players to drop straight over head cahay players, though risky bulb becomes more easily broken by heat that is not channeled due position. PC, Fresnell and Lekolite be an option, but PAR CAN Very Nerrow may be alternatives.
- Back Light
The light coming from behind the player who makes the top players to be brighter than the rest, so the player as if it does not stick to the backdrop. Fresnell and PAR Medium Can be chosen.
- Light Side
The light comes from the useful damping expose the left or right side of the player. This light is needed for major dance works ballet because a lot of movement and jumping leg lift.
- Cyclorama
A soft light from above (upper horizone) and from the stage floor (lower horizone) function is to provide the horizon and changes in mood. Flood and Striplight with different variations of choice.
After doing research on the needs of the desired artistic director and onstage to collect data that will be used for performances, rehearsal observe, measure the length changes from one scene to another then start work designing a light plot. (Plan stage, lighting template, Vector Work, CorelDraw, CAD, Daslight etc.)
Work the lighting (paper work) as follows:
Light Plot:
Placement of the lights in the form of images, type, no channel / dimmer, color and direction of light, distance.
Hook Up Channel:
The form lists that provide no information channel.
Instrument Schedule:
In the form of lists that contain information placement and lamp type.
Magic Sheet:
List form that informs the color, area, and no channel to make it easier when making the Cue Sheet.
Cue Sheet:
Form list which lists no channel, the intensity and duration of changes in each of each cue.
The implementation schedule is usually set staging preparation ole Stage Manager (SM), is usually the order is mounting set, the arrangement of light and sound arrangement. Often almost done simultaneously for a very short period of preparation. Cold hands and cheerfulness and firmness SM will make this situation easy.
Stages of the work done by the team of lighting after coordinating with SM or SM group of buildings yng concerned are as follows:
Installation:
Work hang lights according to type and position, post installation according chanell no choice.
Trim:
Placing the lamp (batten) at the desired height.
Channel List:
Checking if no channel is in conformity with the hook up.
Focusing:
Directs the light to the desired area once installed filter light.
Plotting:
Arrange lighting cue along with the cast and director that area, atmosphere, intensity according to the will of the director. In this process often occurs very exciting discussion process that takes a long time.
Dry Rehearsal:
Exercise all the necessary technical aspects in the show, change sets, change the lights and sound effects guided by the SM but without players. Often referred to as Technical Rehearsal.
Dress Rehearsal
Exercise complete all aspects of staging, the player with full makeup and fashion from start to ahkir. This rehearsal is often sold to the public at a cheaper price than the day the show, as well as to the families of the players and reporters to see how the audience response. Command conducted by BC and his crew who have been divided according responsibility given.
In the performing arts, lighting is in production engineering discipline along with good performances, craft stage (stage craft) and other things that are as visual support a pergelarlan.dalam developments in Indonesian performing arts production techniques have not received sufficient attention even in education kesenianpun tidakada majors who opened the specialization of production techniques.
With the increasing number of performing arts festivals in various cities the need to package the show into something exciting and different from the presentation of another group, the need for an understanding of production techniques to grow. But the growth of the performing arts are often not in line with the development of the theater. Room acoustics, lighting and arrangement pentasnya techniques often do not meet the minimum requirements for a performance.
In a situation such as that of the workers behind the stage reverse order show a significant sesuau and got donations in perkebangan pertunjukun art.
Studies conducted by the backstage workers are generally done by the actors themselves or together with the group or if lucky enough to attend workshops organized by arts institutions that have pehatiandan concern over the development of the performing arts world.
A light stylists besides the study of the text, choreography and visual art that others should know about the technical aspects of the equipment will be media expression and to understand the character of this form of stage and auditorium. Comprehension of the text can be understood by studying the history of the genre and style of the show. (Sumarjo Yacob books, Asrul Sani, Rendra, PW, NR, KA, etc.). Understanding of engineering planning stage and drawing techniques can be aided by computer control (Beamlight, Write Light, Daslight, Corel, CAD, Vector Work, WYSWYG).
Textual studies
Learning the script plays, poetry, short stories and prose. The goal is to train the sensitivity to see the lines of the text, agile construct plot and found a variety changes susasana, space, thoughts of the characters and establish dramatiknya structure.
By studying the background of the author it will be found that the vision of the writer concerned. Because the core of the arrangement of the light is built atmosfere for leaders who are turned off stage. Of course in this case the discussions with the director and other artistic workers such as stylist sets, etc is a must. The decision is the director post.
STUDY stage and AUDITORIUM
Characters from highly dependent on the auditorium stage and each stage has a very specific aura. Generally it can be divided into 3 different forms, namely:
1. Proscenium stage
Shape the stage where the audience with pentasnya separated by the orchestra pit and the audience sees from one direction only. Pentasnya given frame as the four walls of the room opened. (Puppet People, Kethoprak)
1. Arena Stage.
Shape the stage where the stage and the audience are under one roof. The audience saw performances from various sides which are generally 3 sides. The variation is very much like a horseshoe, circular (theater in the round), etc..
1. Trust
Combined with a proscenium stage theater arena. (Sasono Langen Budoyo).
Of the many variations of the stage, which palik prosceniumlah much needed support equipment to make the presenters actually become the center of attention of the audience.
TATA STUDY OF LIGHT.
The main study of the arrangement of the light is natural and all its contents. Because of the arrangement of light on stage is the imitation of what happens in the universe is. From the source cahayanyadapatlah divided into two, namely:
a. Direct Light
The light coming from the sun with all the reflections.
a. Indirect light
The light coming from the moon with all sorts of reflections.
Application of the above sources of natural lighting into the following performances:
- Key Light
The main light coming from the lamps type profile, lekolite and ellipsoidale. Character sharp glow of light that can be made very sharp and spread due to the planno convex lens that can be adjusted the distance to the light source. Usually used to expose specific areas and special use.
- Fill Light
Fill light coming from the lamps fresnell and flood. Character soft light and evenly from the center to the edge, because the light source is broken down by sperikel lens, but the light can be concentrated or dispersed by adjusting the lens with light sources. Usually used to get the atmosphere by flushing the stage with warm colors and cool.
To achieve maximum results on lighting system, the lighting should have sufficient knowledge about the grid system and electrical installation sgala safety rules.
Distribution of light becomes an important part in the planning of lighting throughout the game in order to tercahayai, so that changes in motion and facial expressions can be observed by the audience well. See position on the stage, the lighting can be divided into:
- Front Light
The light coming from the front of the stage that aims to make the face can be seen from the audience. Light source and the object distance is quite far then required profile, lekollite, ellipsoidale that light can be controlled, because by using the dash light shutter proscenium wall can be removed
- Over Head
The light comes from overhead expose players to the goal from the top of the stage area. Areas for players to drop straight over head light player (downlight) although the risk of being more easily broken bulb by heat is not channeled due to the position. Because the distance is not too far away, type Fresnell and Plano Convex (PC) is an option. However, due to economic considerations PAR CAN be an alternative medium.
Down Light
Areas for players to drop straight over head cahay players, though risky bulb becomes more easily broken by heat that is not channeled due position. PC, Fresnell and Lekolite be an option, but PAR CAN Very Nerrow may be alternatives.
- Back Light
The light coming from behind the player who makes the top players to be brighter than the rest, so the player as if it does not stick to the backdrop. Fresnell and PAR Medium Can be chosen.
- Light Side
The light comes from the useful damping expose the left or right side of the player. This light is needed for major dance works ballet because a lot of movement and jumping leg lift.
- Cyclorama
A soft light from above (upper horizone) and from the stage floor (lower horizone) function is to provide the horizon and changes in mood. Flood and Striplight with different variations of choice.
After doing research on the needs of the desired artistic director and onstage to collect data that will be used for performances, rehearsal observe, measure the length changes from one scene to another then start work designing a light plot. (Plan stage, lighting template, Vector Work, CorelDraw, CAD, Daslight etc.)
Work the lighting (paper work) as follows:
Light Plot:
Placement of the lights in the form of images, type, no channel / dimmer, color and direction of light, distance.
Hook Up Channel:
The form lists that provide no information channel.
Instrument Schedule:
In the form of lists that contain information placement and lamp type.
Magic Sheet:
List form that informs the color, area, and no channel to make it easier when making the Cue Sheet.
Cue Sheet:
Form list which lists no channel, the intensity and duration of changes in each of each cue.
The implementation schedule is usually set staging preparation ole Stage Manager (SM), is usually the order is mounting set, the arrangement of light and sound arrangement. Often almost done simultaneously for a very short period of preparation. Cold hands and cheerfulness and firmness SM will make this situation easy.
Stages of the work done by the team of lighting after coordinating with SM or SM group of buildings yng concerned are as follows:
Installation:
Work hang lights according to type and position, post installation according chanell no choice.
Trim:
Placing the lamp (batten) at the desired height.
Channel List:
Checking if no channel is in conformity with the hook up.
Focusing:
Directs the light to the desired area once installed filter light.
Plotting:
Arrange lighting cue along with the cast and director that area, atmosphere, intensity according to the will of the director. In this process often occurs very exciting discussion process that takes a long time.
Dry Rehearsal:
Exercise all the necessary technical aspects in the show, change sets, change the lights and sound effects guided by the SM but without players. Often referred to as Technical Rehearsal.
Dress Rehearsal
Exercise complete all aspects of staging, the player with full makeup and fashion from start to ahkir. This rehearsal is often sold to the public at a cheaper price than the day the show, as well as to the families of the players and reporters to see how the audience response. Command conducted by BC and his crew who have been divided according responsibility given.
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